Tag Archives: Chris Miller

MOV092: “Oh Fiddle-de-de”

It’s the 92nd reel of COL Movies, Join us as we take a realllllllly looooooooooonnnnggg look at the longest movie to ever win a best picture oscar 1939’s movie that put the explatives in epic “Gone With The Wind” Next up on the block we take a look at yet another “Found Footage” film “Chronicle” Are we happy that we found it? Lastly we take a Jump on over to Jump street.. that’s right its another remake and this time they are resurrecting the late 80’s hit TV show of the same name? Will we be Jumping into the theaters to see it? Or Jumping off a cliff? All this plus some movie sequel news and some sneak peaks at some upcoming movie villans. All that and more on this Reel of COL Movies: Oh Fiddle-de-de

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News:

The Past: Gone With The Wind (1939)
Rotten Tomatoes: 95% Fresh, 91% Audience

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Director: Geoge Cukor, Sam Wood

Starring: Clark Gable, Vivian Leigh, Olivia de Havilland, Leslie Howard

Trivia:

  • When Gary Cooper turned down the role for Rhett Butler, he was passionately against it. He is quoted saying both, “Gone with the Wind is going to be the biggest flop in Hollywood history,” and, “I’m just glad it’ll be Clark Gable who’s falling on his face and not Gary Cooper.”
  • In 2007, the American Film Institute ranked this as the #6 Greatest Movie of All Time.
  • June 2008 Ranked #4 on the American Film Institute’s list of the 10 greatest films in the genre “Epic”.
  • The movie’s line “Frankly, my dear, I don’t give a damn.” was voted as the #1 movie quote by the American Film Institute (out of 100).
  • First color film to win the Best Picture Oscar.
  • Of all the many actresses who tested for the part of Scarlett, only Paulette Goddard and Vivien Leigh were filmed in color.
  • Although he was dismissed from the production, George Cukor continued to privately coach both Vivien Leigh and Olivia de Havilland at their request on weekends.
  • The estimated production costs were $3.9 million. At the time, only Ben-Hur: A Tale of the Christ and Hell’s Angels had cost more.
  • Sidney Howard agreed to write the screenplay, but from his home in Massachusetts, 3000 miles away from studio interference. His first draft would have made a 5 1/2 hour movie. Howard reluctantly agreed to leave his Massachusetts farm and come to Hollywood to work on another draft with Selznick and then-attached director George Cukor. As Selznick was preoccupied with problems on the set of The Prisoner of Zenda, Howard had to wait 5 weeks before he was able to start working on another draft (in the meantime contributing some rewrites for “Zenda”). The second draft turned out to be 15 pages longer than the first.
  • David O. Selznick traveled to Bermuda in September 1938 to finalize the script. He reportedly brought four suitcases full of drafts with him.
  • The Ku Klux Klan was written out of the screenplay as the organization to which Frank Kennedy turns after Scarlett is attacked in Shantytown. Producer David O. Selznick said that he had no desire to remake The Birth of a Nation, telling screenwriter Sidney Howard in 1937, “I do hope you will agree with me on this omission of what might come out as an unintentional advertisement for intolerant societies in these fascist-ridden times. . . .”
  • Half a million feet of film were shot. This was all edited down to 20,000 feet.
  • There are more than 50 speaking roles and 2,400 extras in the film.
  • Contrary to popular belief, this is not the first film to use the word “damn”. The expletive was used in numerous silent intertitles and in several talkies, including Cavalcade and Pygmalion.
  • For the premiere in Atlanta in December 15, 1939, the governor declared a state holiday. Ticket prices for the premiere were 40 times the usual going rate.
  • One of the few remaining scenes directed by George Cukor to survive into the final cut of the film is the birth of Melanie’s baby.
  • At one point, five film units were shooting scenes. Directors involved were Sam Wood, Sidney Franklin and stunt coordinator Yakima Canutt.
  • David O. Selznick bought the rights to the best selling novel for $50,000.
  • In 1939, the Hollywood Production Code dictated what could and could not be shown or said on screen, and Rhett Butler’s memorable last line presented a serious problem. A few of the suggested alternatives were
  • “Frankly my dear… I just don’t care,” “…
  • it makes my gorge rise,” “…
  • my indifference is boundless,” “…
  • I don’t give a hoot,”
  • nothing could interest me less.”
  • Although legend persists that the Hays Office fined Selznick $5,000 for using the word “damn”, in fact the Motion Picture Association board passed an amendment to the Production Code on November 1, 1939, to insure that Selznick would be in compliance with the code. Henceforth, the words “hell” and “damn” would be banned except when their use “shall be essential and required for portrayal, in proper historical context, of any scene or dialogue based upon historical fact or folklore … or a quotation from a literary work, provided that no such use shall be permitted which is intrinsically objectionable or offends good taste.” With that amendment, the Production Code Administration had no further objection to Rhett’s closing line, “Frankly, my dear, I don’t give a damn.”
  • 1,400 actresses were interviewed for the part of Scarlett O’Hara. 400 were asked to do readings.
  • The premiere was held in Atlanta, Georgia on December 15, 1939. It was reportedly the first time that David O. Selznick had been in the South.
  • The 222 minute running time excludes the Overture Music (played before the credits), the Entr’acte Music (played during the intermission) and the Exit Music (played after the film ends). All three were especially recorded for the film soundtrack, and were heard at the film’s original 1939 world premiere. They were seldom played by exhibitors until the 1997 New Line Cinema edition of the film restored them. They are also included on the DVD.
  • For the scene in which Scarlett escapes the burning of the Atlanta Depot, a horse was needed to play woebegone, an old nag on the verge of collapse. A suitable candidate was finally found, but weeks later, when the horse was brought to the set, it had gained weight and its ribs were no longer visible. There was no time to find a replacement, so the makeup department painted dark shadows on its ribs to give the appearance of malnourishment.
  • In the scene where Scarlett searches for Dr. Meade, making her way among 1,600 suffering and dying Confederate soldiers, to cut costs and still comply with a union rule that dictated the use of a certain percentage of extras in the cast, 800 dummies were scattered among 800 extras.
  • In the scene where Rhett pours Mammy a drink after the birth of Bonnie, for a joke during a take, Clark Gable actually poured alcohol instead of the usual tea into the decanter without Hattie McDaniel knowing it until she took a swig.
  • The first rough cut in July 1939 ran four and a half hours – 48 minutes longer than the final release.
  • All seven of Hollywood’s then-existing Technicolor cameras were used to film the Burning of the Atlanta Depot. Flames 500 feet high leaped from a set that covered 40 acres. Ten pieces of fire equipment from the Los Angeles Fire Department, 50 studio firemen and 200 studio helpers stood by throughout the filming of this sequence in case the fire should get out of hand. Three 5,000-gallon water tanks were used to quench the flames after shooting.
  • Vivien Leigh worked for 125 days and received about $25,000. Clark Gable worked for 71 days and received over $120,000.
  • Clark Gable was so distressed over the requirement that he cry on film (during the scene where Melanie is comforting Rhett after Scarlett’s miscarriage) that he almost quit. Olivia de Havilland convinced him to stay.
  • The horse that Thomas Mitchell rode was later Silver of The Lone Ranger fame.
  • Hattie McDaniel became the first African-American to be nominated for, and win, an Academy Award.
  • Rhett was not allowed to say, on film, “Maybe you’ll have a miscarriage” right before Scarlett falls down the stairs; the line is changed to “Maybe you’ll have an accident.”
  • If box office receipts for the movie were adjusted for inflation, it would be the top grossing movie of all time; Star Wars: Episode IV – A New Hope would only be the second most successful movie of all time. According to the Guinness World Records homepage the total gross in 2005 figures would be $3,785,107,801.
  • None of the interior sets had ceilings.
  • At nearly four hours long, this is longest running of all movies to win the Best Picture Academy Award.
  • Was voted the eighth greatest film of all time by Entertainment Weekly.
  • In 2004, the movie was completely restored from the original three Technicolor negatives. This time, digital technology was employed to create results impossible to achieve with traditional methods. The negatives were scanned in at 2K resolution and digitally combined to remove all previous alignment problems and achieve perfect registration despite different amounts of shrinkage in the masters. The resulting digital master is of higher quality than any prints available so far – including the original prints from 1939. The 2009 Blu Ray Release comes from a new improved version 8K resolution scan and that is maximum possible limit for 70mm format.
  • The character of Rhett Butler was partially inspired by Mitchell’s husband nicknamed “Red”
  • Hattie McDaniel was cast as Mammy after Louise Beavers, Etta McDaniel, Ruby Dandridge, and Hattie Noel were briefly considered.
  • During filming Vivien Leigh reportedly smoked four packets of cigarettes a day. Clark Gable smoked three packs a day throughout his career.
  • According to Newsreels, there were a handful of Confederate Civil War veterans who, though quite old, attended the premiere in Atlanta.
  • The scene where Scarlett makes a dress out of a curtain later was later spoofed on The Carol Burnett Show
  • Neither Clark Gable or Leslie Howard wanted to be in the film. Howard didn’t even bother to read the original novel.

Talking Points:

  • Ok.. it was pretty damn long! Do you think that a movie of this size will ever see the light of day in modern Hollywood?
  • Peoples reaction to hearing about us doing this movie.
  • The shear scope of the film.. the epic shots
  • anyone else need a decoder ring?

What We’ve Learned:

  • Only the foreman gets to say when it’s quittin time
  • It doesn’t matter who you marry as long as he’s southern and thinks like you
  • A lady eats like a bird, not a hog or a field hand
  • Don’t take a girl on a buggy ride without a chaperon unless you intend to marry her
  • Mourning really cramps your social life
  • With enough courage you can live without a reputation
  • Tomorrow is another day.

Trailer:

Recommendations:
Jeff: Huh? What? *yawn* A Movie played? Hmm, maybe I should try watching it again.
Ray: Ok, I can finally cross this one off my list. I’m a little perplexed. Overall I loved this movie, but it was about 60 minutes too long. The first half of this movie was great and really kept me interested and entertained, the second half was a little slow, but overall an enjoyable experience.
Steve: Way too long for me, but definitely memorable performances. I often don’t mind seeing these types of films because there is so much pop culture and things that other films are based on…it’s neat to see where they came from.

The Present: Chronicle
Rotten Tomatoes: 85% Fresh; 78% Audience

Director: Josh Trank

Starring: Dane DeHaan, Alex Russel, Michael B. Jordan

Trivia:

Talking Points:

  • The Found footage phenomenon… although not really “Found” in this movie.
  • Setting up for a sequel
  • Music

What We Learned:

  • Bringing a camera to school with you will not improve your social status
  • There’s no bikinis in Tibet
  • Being good at beer pong will get you laid
  • The Lion does not feel guilty about eating a gazelle

Trailer:

Recommendations :
Jeff: This was much better then I thought it would be. However, it was still just okay. Worth a look see but probably as a rental.
Ray:. So.. a found or gathered footage movie. I know I said I was over them when I watched Devil Inside, but I actually found the story and execution of this movie good enough and entertaining enough to forgive its flaws. I’m surprised the audience score is not higher on this one. It’s getting excellent word of mouth!
Steve: This one didn’t do it for me. I liked the premise, especially the “what would you do if you had these powers” and “good vs evil” stuff, but it didn’t all come together for me because of the format.

The Future: 21 Jump Street

Release: March 22, 2012

Director: Phil Lord, Chris Miller

Starring: Jonah Hill, Channing Tatum, Ice Cube

Summary:

A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.

Trivia:

  • Jennifer Lawrence, Juno Temple, Julianne Hough and Gemma Ward auditioned for a role.
  • Jonah Hill wrote a cameo role specifically for Johnny Depp.
  • Emma Stone was considered for the lead female role but had to drop out due to scheduling conflicts with her other movie, The Amazing Spider-Man.
  • In May 2008, Columbia Pictures confirmed that a film version of the series was under development.
  • Jonah Hill rewrote an existing script by screenwriter Joe Gazzam and executive produce the film, as well as star in the film.
  • In May 2009, Jonah Hill described the film adaptation as being a “R-rated, insane, Bad Boys-meets-John Hughes-type movie”.

Talking Points

  • TV to Film Adaptation
  • Nostalgic enough to get you to the theater?
  • Who do you think they’re trying to get to see this?

Trailer:

Excitement:
Jeff: Kill me.
Ray: I was never a fan of the TV show (never seen it) so I was just curious as to how everyone felt about it. I guess there are parts of it that look entertaining, but you can never really trust a trailer.
Steve: Loved the TV show because it was a drama…but not liking the fact they are turning it into a slapstick comedy. 21 Jump Street became a reason I wanted to pursue law enforcement back in the day…but this would not motivate me. I’m kinda mad I saw Holly Robinson-Peete in the trailer – only because it’s not the same, but I’m glad they’re doing at least some cameos to bring it back to the original.

Coming Attractions – “All Nicholas Cage Special!”

The Past:

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The Present:

The Future:

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MOV078: “Was It As Good For You As It Was For Me?”

The boys head back in time to review Quentin Taratino’s directorial debut in 1992’s “Reservoir Dogs”. After hearing the f word 272 times, they head to the theater to see “Puss In Boots”. In trailer-land, they check out the January horror release “The Devil Inside”. In movie news, they talk about the most likely candidate for the bad guy in JJ Abrams next installment of Star Trek and how you – yes you – can be a part of “Dark Knight Rising”. This is the 78th episode of COL Movies – “Was It As Good For You As It Was For Me?”

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News:

The Past: Reservoir Dogs (1992)
Rotten Tomatoes: 96% Fresh, 93 % Audience
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Director: Quentin Tarantino

Starring: Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi

Trivia:

  • The film contains 272 uses of the word “fuck”.
  • Quentin Tarantino originally wrote the role of Mr. Pink for himself. Steve Buscemi originally auditioned for the part of Mr. White. Michael Madsen originally auditioned for the part of Mr Pink. George Clooney read for the role of Mr. Blonde/Vic Vega but was turned down, and Christopher Walken refused the same role. Vincent Gallo turned down the role of Mr. Pink. Samuel L. Jackson auditioned for the role of Mr. Orange. Once Tim Roth was cast, Quentin Tarantino originally wanted him to play Mr. Blonde or Mr. Pink. Robert Forster and Timothy Carey auditioned for the part of Joe Cabot, and the film is dedicated to Carey.
  • David Duchovny auditioned for a part.
  • The final answer print of the film came back from the lab just 3 days before its world premiere at Sundance.
  • During filming, a paramedic was kept on the set to make sure that Mr. Orange’s (Tim Roth) amount of blood loss was kept consistent and realistic to that of a real gunshot victim
  • To avoid alienating the film’s backers, producer Lawrence Bender had the tamer scenes shot first, so that the dailies would strengthen the backers’ confidence before getting to the nasty, violent scenes.
  • The warehouse where the majority of the movie takes place was once a mortuary, and thus is full of coffins. Mr. Blonde doesn’t sit down on a crate, it’s actually an old hearse he perches on.
  • Directly prior to the scene showing the colored bottles of soap, you see two shirts hanging on the wall, and a rag in the distance on the floor. These are appropriately in sync with the surnames of the characters in their present states. Mr. White and Mr. Pink are upright and close to each other, corresponding to the two shirt colors, while the orange rag laying in the distance would be the position of Mr. Orange in the next room.
  • Michael Madsen had difficulty filming the torture scenes. He was particularly reluctant when he was required to hit actor Kirk Baltz. When the cop, pleading for his life, says that he has a child at home (a line not in the script), Madsen, himself a new father at the time, was so disturbed by the idea of leaving a child fatherless that he couldn’t finish the scene.
  • At several points, Tim Roth had lain in the pool of fake blood for so long that the blood dried out and he had to be peeled off the floor, which took several minutes.
  • WILHELM SCREAM: The famous scream is heard when Mr. Pink pushes a pedestrian on the sidewalk while being pursued by cops during his escape from the failed jewel heist.
  • Mr. Orange’s apartment was actually the upstairs to the warehouse where most of the movie takes place. The filmmakers redecorated it to look like an apartment in order to save money on finding a real apartment.
  • The theatrical release of the film contains no female speaking parts. There are some in the 10th anniversary DVD, including Nina Siemaszko as McKlusky.
  • Voted best independent film ever by Empire Magazine. It also was voted most influential movie in the past 15 years by the same magazine.
  • For the European release, the distributor used one sheet posters for each of the main characters. This was quite a novel strategy at the time, and has now become very widespread.
  • The suit Harvey Keitel wears was his own. It had been a specially made gift from French designer Agnès B..
  • This movie has no orchestral score. All the music you hear are prerecorded tracks.
  • Premiere voted this movie as one of “The 25 Most Dangerous Movies”.
  • Kirk Baltz recalls that a more graphic version of the ear-cutting scene was filmed, involving a tube running up to his ear that squirted blood. Michael Madsen, however, has said he thought it was “rather tame”, after seeing the scene play out that way.
  • The film’s budget was so low that many of the actors simply used their own clothing as wardrobe; most notably Chris Penn’s track jacket. The signature black suits were provided for free by the designer, based on her love for the American crime film genre. Steve Buscemi wore his own black jeans instead of suit pants.
  • Armed with $30,000 and a 16mm camera, Quentin Tarantino was all set to make the film with a bunch of friends, including his producing partner Lawrence Bender who was going to play Nice Guy Eddie. It was then that Tarantino received an answerphone message from Harvey Keitel, asking if he could not only be in the film but help produce it. Keitel had gotten involved via the wife of Bender’s acting class teacher, who had managed to get a copy of the script to him. Keitel’s involvement helped raise the budget to $1.5 million.
  • Madonna – who is the main topic of the opening conversation – really liked the film but refuted Quentin Tarantino’s interpretation of her song ‘Like a Virgin’. She gave him a copy of her ‘Erotica’ album, signed “To Quentin. It’s not about dick, it’s about love. Madonna.”
  • Kirk Baltz auditioned four times for the film.
  • Quentin Tarantino wrote the first draft in three and a half weeks.
  • In Mr. White’s flashback, Joe asks him about a girl named Alabama. This is a reference to Patricia Arquette’s character from True Romance. Quentin Tarantino has stated that he originally intended this character to meet up with Mr. White and to become partners in crime. When “True Romance” was released a year after this film, the ending was changed and so this backstory became inconsistent because Alabama never went on to meet up with Mr. White.
  • Robert Kurtzman did the special make-up effects for free, on the condition that Quentin Tarantino write a script for From Dusk Till Dawn based on a story by Kurtzman.
  • The line where Mr. White tells Mr. Pink, “I need you cool. Are you cool?” was added into the script after a conflict between Lawrence Tierney and Michael Madsen. To break the scuffle and continue shooting, Quentin Tarantino said to Tierney, “Larry. I need you cool. Are you cool?” This line, and some from Pulp Fiction were sampled by Fun Lovin’ Criminals in their song “Scooby Snacks” (1995).
  • According to an interview on the DVD, Michael Madsen says that Kirk Baltz asked to ride in his trunk to experience what it was really like. Madsen agreed, but decided as he went along that this was time for his own character development. So he drove down a long alley with potholes, and then a Taco Bell drive-through before taking Baltz back to the parking lot and letting him out. The soda he ordered at said drive-through is the same one he can be seen drinking during his character’s first appearance in the warehouse.
  • In then commentary of the True Romance DVD, Quentin Tarantino says that Tony Scott read both the “True Romance” and “Reservoir Dogs” scripts and told Tarantino he wanted to direct “Reservoir Dogs”. Tarantino told him he could have “True Romance” but that he himself was going to direct “Reservoir Dogs”.
  • Mr. Blonde’s Cadillac Coupe de Ville actually belonged to Michael Madsen because the budget wasn’t big enough to buy a car for the character.
  • Quentin Tarantino was considering using “Ballroom Blitz” by Sweet as an alternate song for the “ear” scene, but went with Stealers Wheel “Stuck in the Middle with You”.
  • Terry Gilliam is thanked in the credits in gratitude for advice he gave to Quentin Tarantino during a Sundance workshop.
  • The first draft script called for Pink Floyd’s “Money” where “Little Green Bag” is now. It was later changed because Quentin Tarantino heard “Little Green Bag” over the radio and became extremely nostalgic.
  • The title for the film came to Quentin Tarantino via a patron at the now-famous Video Archives. While working there, Tarantino would often recommend little-known titles to customers, and when he suggested Au revoir les enfants, the patron mockingly replied, “I don’t want to see no reservoir dogs!” The title is never spoken in the film, however.
  • Mr. Pink’s numerous references to being “professional” are a reference to movie director Howard Hawks, a favorite of Quentin Tarantino’s.
  • The film was released in America with almost no promotion, so it did not do that well at the box office. In England, however, it was such a huge hit that Quentin Tarantino would be mobbed as he walked down the street in London. British filmmakers have been “influenced” by it since.
  • Mr. Blonde’s real name is Vic Vega. This is the same surname as Vince (John Travolta) from Quentin Tarantino’s other film, Pulp Fiction. Tarantino has revealed that are Vic and Vince brothers. He also intended to do a prequel to both films called “Double V Vega”, which would star the Vega Brothers, but Madsen and Travolta eventually got too old to reprise their roles, and Tarantino has since abandoned it.
  • Edward Bunker, a former career criminal, was the youngest felon to be sent to San Quentin. (He was 17.) He was a novelist and also played cons in other films – Runaway Train, The Longest Yard and Straight Time (which was based on his novel) and worked as a technical advisor on others – Heat, for instance. Jon Voight’s character in ‘Heat’ was based on Bunker.
  • Quentin Tarantino released this, his debut film, in the same year that Robert Rodriguez released his debut, El mariachi. Since then they have collaborated on numerous projects.
  • Quentin Tarantino has the first line of dialogue at the beginning.
  • Editor Sally Menke’s agent originally lobbied for her not to take the film. Menke disagreed and went on to edit Quentin Tarantino’s first six movies.
  • Monte Hellman was originally tapped to direct the film as Quentin Tarantino was a complete unknown. However, when Tarantino sold the screenplay for True Romance for $50,000, he lobbied hard to direct the film himself. Hellman took on an executive producer role instead.
  • Quentin Tarantino was originally going to play Mr Pink, although he made a point of letting all the other actors audition for the part. When Steve Buscemi came in to read for it, Tarantino told him that he really wanted the part for himself and that the only way Buscemi could possibly wrest it from him was to do a killer audition. Buscemi duly complied.
  • Tim Roth refused to read for the film. He did insist on going out drinking with Quentin Tarantino and Harvey Keitel. He agreed to read for them when they were all drunk.
  • Quentin Tarantino and his producer Lawrence Bender used to joke that they were the most inexperienced people on the set. They were probably right.
  • The budget didn’t stretch to obtaining police assistance for traffic control so in the scene where Steve Buscemi forces a woman out of her car and drives off in it, he could only do so when the traffic lights were green.
  • Quentin Tarantino’s mother loved the cop torture scene.
  • While driving in the car, someone mentions Pam Grier. She would later star in Quentin Tarantino’s third film, Jackie Brown.
  • In an interview on BBC in 2009 Quentin Tarantino said he was proud the movie is often on top ten heist movies even though you never actually see the heist.
  • Seymour Cassel and Steve Buscemi went to the audition together. Steve auditioned for Nice Guy Eddie and Seymour auditioned for Joe.
  • Note in the opening conversation about Madonna (ex-wife of Sean Penn) that Chris Penn doesn’t really take part, mainly out of deference to his former sister-in-law.
  • On a day off during the shoot, Lawrence Tierney was arrested for allegedly pulling a gun on his nephew. According to Quentin Tarantino, Tierney “was taken from his bail arraignment to the set.”
  • At the end of the scene where Mr. Orange (Tim Roth) is talking to the other undercover cop in Johnnies restaurant they are talking about the comic character “The Thing” immediately after he says that it cuts to him in his apartment answering a phone. As he reaches to pick up the phone, he knocks over an action figure of Ironman, and the action figure of the Thing is visible at he edge of the table.
  • When Steve Buscemi gets hit by the car you see an LAPD set cop directly behind him holding the intersection and an LAFD fire engine passing by that if there was such a situation would obviously been stopped to help out.
  • Filmed in 35 days.
  • The promotional posters for “Reservoir Dogs” say “Five strangers team up for the perfect crime…”. The criminals in the movie – Mr. Pink, Mr. White, Mr. Orange, Mr. Blonde, Mr. Brown and Mr. Blue – are in fact six strangers.
  • [long take] While torturing the cop, we follow Mr. Blonde continuously from the warehouse to his car outside, back into the warehouse again.
  • [trunk] Before the audience sees the contents of Mr. Blonde’s trunk, the camera looks up at Mr. White, Mr. Blonde, and Mr. Pink from inside the trunk.
  • [red apple] Tarantino avoids product-placement in his movies as much as possible. This is why anyone who smokes is smoking a pack of “Red Apples”, a brand Tarantino made up. This is also why any cereal in his films (Fruit Brute, Kabooom!, etc.) are all brands that died out in the 1970s and no longer exist.
  • The total death count in this film (onscreen and off) is at least 17. Four clerks in the jewelry store, five of the six crooks (Mr. White, Mr. Orange, Mr. Blonde, Mr. Blue, and Mr. Brown), Joe Cabot and his son Nice Guy Eddie, the two cops Mr. White shot, the cop in the trunk (Marvin Nash), the cop Mr. Pink shot, the woman Mr. Orange shot, and the “black girl” Mr. Blonde shoots in the bank. The number of police officers Mr. Blonde had to shoot to escape the jewelry store is not mentioned. It can be assumed that Mr. Pink is not shot after he flees the warehouse; although you hear gunshots, he can be heard very faintly yelling something to the effect of “give up” shortly thereafter.
  • Although he supposedly killed more people than any of the other characters did, Mr. Blonde is never seen killing anyone on-screen.
  • When Mr. White and Mr. Pink are in the washroom talking about what went wrong with the job, there are seven bottles on the shelf behind them. One of them is filled with a white liquid, three of them are filled with pink liquid, and there are three of them filled with a orange liquid. The white and pink bottles are close together and the orange bottles are by themselves. During this time, Mr. Orange is passed out by himself is the other room.
  • According to cast member Edward Bunker, there was a scene that would have shown exactly what happened to his character, Mr. Blue but the scene was cut due to the limited budget. He also said actor Lawrence Tierney could never remember his lines, so Tierney’s scenes took a while to shoot.
  • Chris Penn’s blood squibs accidentally went off too early in the big stand-off scene, forcing him to fall to the floor. There is not, as is commonly believed, a mystery round being fired off-screen.
  • In the scene where Nice Guy Eddie talks on his cell phone about the botched robbery, an orange balloon can be seen floating past the car. Some believe that this was intentional, as to foreshadow Mr. Orange as the rat. However, Quentin Tarantino claims that it was accidental.
  • According to Quentin Tarantino, Mr. Pink does in fact survive. You can verify this by increasing the volume of the background sounds: When Mr. Pink runs out of the building with the diamonds, police officers can be heard shouting at him to put his hands on the ground. Gunshots can be heard, then Mr. Pink shouts that he has been shot. You can then hear the officers talking to each other as Pink is arrested.
  • The actress who plays the lady Mr. Orange shoots was Tim Roth’s dialect coach. Roth insisted that she take the role, as she was very hard on him.
  • The opening scene in the coffee shop contains subtle foreshadowing about the identity of the “rat”. When Joe demands to know which crook didn’t contribute to the tip, Mr. Orange is the one who snitches on Mr. Pink

Talking Points:

  • The References to other projects “Alabama” “Vic Vega”
  • Why do you think Mr. Orange told Mr. White he was a cop?
  • Tarantino-isms

What We’ve Learned:

  • Cop’s are not real people
  • A Psychopath ain’t a Professional
  • An Undercover Cop has got to be Marlon Brando
  • What a White Bitch will put up with, a Black Bitch won’t put up with for a second.
  • You don’t need proof when you got instinct

Trailer:

Recommendations:
Jeff: I have mix feelings about this movie. I appreciate it for how well made it was, the acting was great, but for some reason, I’m just meh about it.
Ray: The Movie that launched QT’s career.. some say the best he’s ever done. Not sure I agree with that, but wouldn’t hesitate to recommend this to someone (who can handle the violence)
Steve: It is a Tarantino movie, through and through. If you like his style and can handle the violence, you’ll love the movie. I like it a lot!

The Present: Puss In Boots
Rotten Tomatoes: 81%, 80% Audience

Director: Chris Miller

Starring: Antonio Banderas, Salma Heyek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris, Constance Marie

Trivia:

  • Originally planned as direct to DVD.
  • This movie marks the fifth collaboration between stars Antonio Banderas and Salma Hayek. They previously worked together in past films such as Desperado, Frida, Spy Kids 3-D: Game Over, and Once Upon a Time in Mexico.
  • The main character, Puss (voice by Antonio Banderas), makes a “P” as his signature; a signature very similar to the “Z” El Zorro makes. Antonio Banderas played El Zorro in The Mask of Zorro and The Legend of Zorro.
  • Antonio Banderas participated in a viral marketing event for the film by posing in photos of himself at a screening surrounded by cats.
  • Mother Goose appears in the film. “Puss in Boots” was originally published as a story in the “Mother Goose Fairytales” by Charles Perrault.
  • Amy Sedaris, who voices Jill, also voiced Cinderella in Shrek the Third.

Talking Points:

  • I thought the 3D in this movie was excellent
  • The Trailer didn’t give anything in the movie away
  • Why do you think they chose Humpty as the bad guy?
  • Too “sex laiden” for children?
  • Lady Gaga! and Rodrigo y Gabriela!

What We Learned:

  • The first rule of bean club is you do not talk about bean club!
  • Dogs spread rumors.. especially about cats
  • Even cats think cat people are crazy
  • Plants have feelings
  • Humpty dumpty does not wear underwear (and isn’t very modest)
  • Catnip is good for Glaucoma

Trailer:

Recommendations :
Jeff: This was a joy of a movie to watch. While it had it’s slow points, the jokes were well thought out and timed. It’s enjoy about for kids and definitely has it’s adult jokes that might go over the kids’ heads.
Ray: I was soooo not looking forward to this, despite my love of animation. I’ve never been a fan of the “Puss” character in Shrek for the most part and didn’t think they would be able to pull off an entire movie based around it. Well.. I was wrong It was funny and entertaining for Kids and Grownups. The 3D was amazing, and I will buy the 3D Blu-ray as soon as it comes out.
Steve: I let go and enjoyed it a lot!! It was super entertaining! Definitely a fractured fairy tale…but with a lot of interesting characters.

The Future: The Devil Inside

Director: William Brent Bell

Starring: Fernanda Andrade, Simon Quarterman and Evan Helmuth

Summary:
In Italy, a woman becomes involved in a series of unauthorized exorcisms during her mission to discover what happened to her mother, who allegedly murdered three people during her own exorcism.

Trivia:
The film was shot in several different locations including Bucharest, Romania, Rome, Lazio, Italy, and Vatican City.

Talking Points:
What are you expecting from seeing the trailer?

Trailer:

Excitement:
Jeff: Another creepy exorcism movie. Gee thanks, just what I need.
Ray: The Rite.. with a little Paranormal Activity thrown in maybe? I’m down
Steve: The trailer had me in the theater the first time I saw it…I’m am all over this!!

Coming Attractions
The Past:

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The Present: J Edgar

The Future: The Muppets

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