Tag Archives: Gwyneth Paltrow

MOV128: All Bets Are Off!

After 5 weeks the band is finally back together on this the 128th reel of COL Movies. This week the boys get right into the swing of things by jumping to the past and examining Guy Richie’s. Snatch! For our exploration of the present we strap on some Iron Gauntlets to chop away at the RZA and Eli Roth Kung-Fu Extravaganza The Man With The Iron Fists. Finally we all keep the Iron hot by looking to the future to talk about Iron Man 3. On the news front we have some information on Brian Syngers new project, Some Star Wars Episode 7 announcements and last but certainly least we get to talk about some very exciting casting news for the masterpiece that will be Transformers 4! All this and more on the 128th reel of COL Movies: All Bets Are Off!

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News:

The Past: Snatch
Rotten Tomatoes 72% Fresh; 92% Audience

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Director: Guy Ritchie

Starring: Jason Statham, Brad Pitt, Benicio Del Toro

Trivia:

  • Brad Pitt, who was a big fan of Lock, Stock and Two Smoking Barrels, approached director Guy Ritchie and asked for a role in this film. When Ritchie found Pitt couldn’t master a London accent, he gave him the role of Mickey the Gypsy.
  • To keep things in order during production, director Guy Ritchie introduced a system of fines on set. There were fines for mobile phones ringing, arriving late, taking naps during shooting, being “cheeky”, being unfunny, and/or moaning and complaining. One staff member was even charged for letting the craft service table run out of coffee cups.
  • When Mickey “wins” a new trailer van for his mother from Turkish, he specifically picks out “periwinkle blue” as the color. In Psycho, we are told that Norman Bates helped to pick out a “periwinkle blue” dress for his dead mother. Mickey, just like Norman, is also responsible (albeit indirectly) for his own mother’s death.
  • When Vinnie Jones is introduced in the movie, he is slamming a man’s head in a car door, It was the head of stunt co-coordinator and action director Tom Delmar, who volunteered for the job.
  • Bullet Tooth Tony’s character is introduced slamming a man’s head between a car door and a car, which the same actor does in Lock, Stock and Two Smoking Barrels, another Guy Ritchie film.
  • The hardcore band “Cold War from Orange County, California” quotes this movie several times throughout their CD “From Russia With Love.” Some of the lines quoted are: (“Quote” – Character / Song in which quote is used) “From Russia with love, ah?” – Doug The Head / Love Betrays “Heavy’s good, heavy’s reliable.” – Boris the Blade / Painful Delight “Do you know what “nemesis” means? A righteous infliction of retribution manifested by an appropriate agent. Personified in this case by an ‘orrible c*nt… me.” – Brick Top / Retrace My Steps
  • Lennie James actually hit himself in his private parts with the shotgun while blasting a hole in the wall at the bookies, but continued the scene. That footage was used in the film.
  • Boris the Blade pulls a large cleaver from his belt. Soap did the same thing in Lock, Stock and Two Smoking Barrels, another Guy Ritchie movie.
  • Guy Ritchie reportedly paid US $1 million for the use of Madonna’s song, “Lucky Star”.
  • Every mistake that Sol, Vincent and Tyrone make were inspired by various late-night TV shows about real-life crimes gone horribly wrong.
  • Tim Maurice-Jones, the cinematographer, plays the man who is repeatedly battered over the head at the beginning of the movie by Frankie Four-Fingers (Benicio Del Toro). In Lock, Stock and Two Smoking Barrels, for which he was also the cinematographer, he was the man being drowned at the beginning of the film by Barry the Baptist (Lenny McLean).
  • Nearly every death in the movie takes place off-screen.
  • In the final scene, the 86-carat diamond is referred to as an 84-carat diamond.
  • In Guy Ritchie’s previous film Lock, Stock and Two Smoking Barrels, there is a scene in which Harry, Barry and Chris have a conversation. Barry says the line. “No, Harry, you can’t,” which is shortly repeated by Chris, then by both together. This joke is carried over to this movie when Alex and Susi do the same thing with the line, “Yeah, Dad, you told us.”
  • When Guy Ritchie told Brad Pitt that he would be playing a boxer, Pitt became concerned because he had just finished shooting Fight Club and did not want to play the same type of role again. Pitt book the role anyway because he wanted to work with Ritchie so badly.
  • The U.S. distributors considered changing the title to “Snatched” or “Snatch’d”.
  • The word “fuck” is said 163 times.
  • During the opening credits, the Hasidic-clad diamond thieves are discussing the Virgin Mary. This is a reference to Reservoir Dogs, where during the opening scene the thieves are discussing the Madonna song “Like a Virgin”.
  • Franky Four-Fingers changes into four different outfits during the short telephone conversation to cousin Avi.
  • According to the DVD commentary, Bow, the dog was very difficult to work with. During car scene with Vincent, Sol and Tyrone, the dog was actually attacking Lennie James, and James was actually bitten in the crotch by the dog but didn’t suffer any serious injury. The dog was replaced after that incident.
  • The producers couldn’t afford enough extras for the boxing match sequences. Whenever a camera angle changed, the extras had to move around to create an impression of a crowded house.
  • When Vinny and Sol are sitting outside Brick-Top’s Bookies, about to give him the diamond, the man that approaches the car is not really Bullet-Tooth Tony, it was a look-alike. Vinnie Jones didn’t show up for shooting that day because he was in jail for fighting the night before.
  • Body count: 26
  • Brad Pitt’s character and indecipherable speech was inspired by many critics’ complaints about the accents of the characters in Lock, Stock and Two Smoking Barrels. Guy Ritchie decided to counter the criticisms by creating a character that not only couldn’t be understood by the audience but the also couldn’t be understood by characters in the movie.
  • One of the boxers is called Bomber Harris. “Bomber Harris” was the nickname of Arthur Harris, chief of RAF Bomber Command in World War II. The name later appeared in a German Monty Python special (Monty Python’s Fliegender Zirkus) as the name of a man who wrestles himself – Colin “Bomber” Harris.
  • The role of Brick Top Polford was originally offered to Dave Courtney.
  • Just before Micky and Bomber Harris begin their fight, Bomber Harris head-butts Micky just after the bell rings. Micky recoils checking for blood on his glove and then floors his opponent with one punch. This was a nod towards Lenny “The Guv’nor” McClean when he fought “Mad Gypsy” Bradshaw in an almost identical fight. Lenny McLean worked with Guy Ritchie on Lock, Stock and Two Smoking Barrels and passed away in 1998.
  • Throughout the movie, Turkish (Jason Statham) makes comments to Tommy (Stephen Graham) about his getting a gun for protection from “Ze Germans”. Graham also played Sgt. Myron ‘Mike’ Ranney in the series Band of Brothers, although Snatch was released a year prior to the series.
  • The car driven by Tyrone is a Rover SD1. It is the Vitesse version which was the fastest version made. It has a 3.5 litre V8 engine which ran on petrol/gasoline. The car was in production from 1976-1986 and in this time there was a “facelift” updated model as used in this film. The car is driven by the rear wheels and was a favorite amongst police and criminals when they were in production; so much so in fact, that the police started buying second hand cars and converting them for use in the police force when they went out of production. There were many different engines available, such as a 2.3 and 2.6 liter in-line 6 cylinder engine and a 2.4 liter turbo diesel engine, which was revolutionary in the 1980s. After the car went out of production, the design was sold to a company in India and it was re-badged and sold again as the Standard 2000.
  • Jason Flemyng joked that the working conditions on this film were so terrible that Brad Pitt’s trailer was picketed by Amnesty International as not being fit for someone to live in.
  • Guy Ritchie: In the back of the bar when we are first introduced to Doug The Head. Ritchie is the man reading the newspaper.
  • The film’s title only appears once throughout the entire movie, where Vinny (Robbie Gee) tells the dog, “Don’t Snatch!” as it takes the squeaky toy. It is said to the dog because it’s the dog who eats the diamond.

Talking Points:

  • Understanding the dialogue

What We Learned:

  • Whenever you reverse, things come at you from behind
  • If all bets are off, there can’t be any money
  • It’s easier to cut a body into 6 pieces then to try and carry it whole
  • It takes 16 pigs 8 minutes to devour a 200 lbs man
  • You can’t find a pikey that doesn’t want to be found.

Trailer:

Recommendations:
Jeff: I have some strange mixed feelings on this movie. I think it’s brilliant like Trainspotting but I think it has to do with some English sensibilities or something. I recommend seeing the movie at least once and hope you all appreciate it as much as I do.
Ray: Just wasn’t my kind of movie, I had a real hard time keeping up with the dialogue and the editing was exhausting. Brad Pitt was pretty amusing in it though.So far Guy Ritchie is 0 for 3 for me.
Steve: I like this one…and I also like LS&2SB, so I’m good with Ritchie. It’s just something kind of Tarantino about it, but also unique. I also enjoy the absurdity and he does a good job telling several intertwining stories without making you feel too lost. It’s hectic, but fun.

The Present: The Man With The Iron Fists
Rotten Tomatoes 53% Rotten; 52% Audience

Director: RZA

Starring: Russel Crowe, Cung Le, Lucy Liu

Trivia:

  • Development of the film that would become The Man with the Iron Fists began as early as 2003 when RZA produced the soundtrack for Quentin Tarantino’s film Kill Bill. RZA set himself a $50,000 budget and flew to the Kill Bill set in Beijing, China, where he spent approximately thirty days taking notes on how Tarantino directed the film.
  • The first cut of the film was 4 hours long and RZA suggested splitting it into two films, but Roth disagreed and it was ultimately cut down to 96 minutes to meet the studios requirements and to excise gorier content that would gain the film a restrictive rating, limiting its audience. RZA admitted to walking away from the editing process for two weeks at one point out of disgust at having to cut the film.
  • RZA and Eli Roth worked on the screenplay together over two years, talking through every aspect of the story, down to the detail of every weapon.
  • RZA then financed and directed a martial-arts short film called Wu-Tang vs. the Golden Phoenix featuring kung-fu trained actors flown in from Hong Kong. When he and Roth finally pitched The Man with the Iron Fists to producers, RZA used the short to prove that the musician could handle the martial arts action and be trusted to take on his first director role.
  • During the development process, Tarantino agreed to lend his name to the film with a “presented by” credit.
  • Approximately 6 weeks into filming, RZA began pushing the crew to work faster to remain on schedule. His assistant director eventually informed RZA that the push was resulting in stunt workers receiving injuries and being sent to the hospital daily. After this, RZA abandoned some of his intended shots and replaced them with Computer Generated Images (CGI).

Talking Points:

  • Silver lion’s hair
  • Lucy Liu’s character & “Black Widows”

Critic Notes:

  • Positives: Refreshingly bad; as an exercise in the genre, it always feels like you’re coming in halfway through the movie; Maybe one of the best bad movies ever; Demonstrated neo-exploitation cinema is not dead; As endearing as a hyperactive puppy, but just as exhausting and exciting; Sufficiently well done for those who like this sort of thing.
  • Negatives: RZA is awful at acting and in incompetent narrator; lavish imitation; lunatic, unnecessarily gorey, and borderline incomprehensible; a bad movie with big names is still a bad movie

What We Learned:

  • When it comes to money things get funny
  • A dog living in a palace is still a dog

Trailer:

Recommendations :
Jeff: You know, I thought this would be a bit more exciting of a movie. I did like Russel Crowe and Brass Body. Rawr.
Ray: I wanted to like it, and it really lived up to what it wanted to be which is a bad kung fu movie, but I found it sort of pretentious. RZA should have kept himself out of the movie.
Steve: The opening dialogue from RZA sealed the deal for me. This was just a combination of RZA’s wet dreams rolled into a film. He gets to bang the hot Asian chick, get a super power, and beat up a WWE superstar. BFD! The only things that almost saved this were how it looked, the fight scenes and Lucy Liu, otherwise I would have left it.

The Future: Iron Man 3

Release: May 3, 2012

Director: Shane Black

Starring: Robert Downey Jr., Guy Pearce, Gwyneth Paltrow, Ben Kingsley

Summary:

Tony Stark uses his ingenuity to fight those who destroyed his private world and soon goes up against his most powerful enemy yet: the Mandarin.

Talking Points:

  • Ben Kingsly Voice
  • Tie In to the Avengers

Trailer:

Excitement:
Jeff: Iron Man? Yes, please.
Ray: Are you kidding me? Yes!
Steve: Looks epic! I don’t know about the Mandarin though. Guess I just thought he might be younger looking.

The Past: For Your Eyes Only

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The Present: Skyfall

The Future: World War Z

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MOV060: “What’s in the box???”

In this 60th reel of COL Movies, the boys head back in time to revive the thriller “Se7en”, starring Brad Pitt, Morgan Freeman, and perhaps the creepiest performance ever by Kevin Spacey. They head to the theater to check out “Transformers: Dark of The Moon” – if nothing else, just to see if Jeff will orgasm in the theater. Finally, the check out the trailer for the upcoming thriller “Straw Dogs”, starring the dreamy Alexander Saarsgard (otherwise known as Eric from True Blood). They hit up the movie news to talk about new stuff from Paramount, the Man of Steel, Transformer’s record breaking IMAX performance, as well as Ridley Scott’s upcoming “Prometheus”. This is definitely an episode you don’t want to miss..and oh, by the way…What’s in the Box???

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News:

  • Paramount Pictures announces Paramount Animation
  • Budgets up to $100 million per film
  • First Release targeted for 2014
  • “Paramount Animation’s mandate will be the development of the broadest range of family CGI animated films, with a key piece being titles under the label of Viacom’s Nickelodeon, the number one entertainment brand for kids worldwide. Paramount will also look to build on Viacom’s already thriving global consumer products business by seeking to capitalize on merchandising opportunities tied to all Paramount Animation releases.
  • Pictures from Man of Steel set released
  • Transformers Dark of the Moon Posts record IMAX opening
  • IMAX Corporation and Paramount Pictures announced today that Transformers: Dark of the Moon 3D, the third film in the blockbuster Transformers franchise, posted a record opening in IMAX(R) theatres, generating $23.1 million globally since launch. The total IMAX domestic take was $14 million, while the 146 domestic theatres that played Transformers: Dark of the Moon exclusively generated $88,500 per screen. The overall box office gross for the movie in the U.S. stands at $180,650,000 million through Monday
  • Lidelof, and Scott release synopsis for Prometheus
  • Visionary filmmaker Ridley Scott returns to the genre he helped define, creating an original science fiction epic set in the most dangerous corners of the universe. The film takes a team of scientists and explorers on a thrilling journey that will test their physical and mental limits and strand them on a distant world, where they will discover the answers to our most profound questions and to life’s ultimate mystery.

The Past: Se7en (1995)

Rotten Tomatoes: 85% Fresh; 94% Audience

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Director: David Fincher
Starring: Morgan Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey

Trivia:

  • While filming the scene where Mills chases John Doe in the rain, Brad Pitt fell and his arm went through a car windscreen, requiring surgery. This accident was worked into the script of the film. Ironically, the original script did call for Pitt’s Det. Mills character to be injured during this sequence–but to something other than his hand.
  • The autopsy of the first killing, as originally scripted, was incorrect according to the research of makeup man Rob Bottin (who viewed a real human autopsy as part of his prep work). The scene was truncated from the original script and shows only the sewn-up corpse of Gluttony, not the actual autopsy.
  • Originally, Morgan Freeman drew his pistol with his finger on the trigger. Police officers that were on the set as technical advisors quickly corrected him, as that is not correct police procedure.
  • The original script had a strange, dwarf-like woman as part of the forensics team, appearing in every one of the “cleanups” after a murder and hurling foul language and epithets at Somerset and Mills.
  • An edited-out sequence near the beginning had Somerset looking over the country home he’s planning on moving into. He uses his switchblade to cut loose a rose on a fragment of silk wallpaper and carries it with him throughout the movie. The rose falls out of his jacket as he is taking off his gun before eating with the Mills family. (This touch was edited out, too. Both sequences are in the supplementary section of the Criterion laserdisc.) The rose is briefly visible in the opening scene, sitting atop a handkerchief on Somerset’s dresser.
  • The screenplay had references to a partner Mills had when he still lived in the country, named Parsons. Parsons was shot and killed while on a bust with Mills, and consequently Mills is overprotective of Somerset in some scenes. All references to Parsons were deleted before shooting began.
  • All the building numbers in the opening scene start with 7. The climactic delivery was scheduled for 7pm.
  • New Line executives originally balked at the film’s ending, but Brad Pitt refused to make the film if the ending were changed.
  • Charles S. Dutton has a cameo as the cop who keeps the press out of the Greed crime scene.
  • The producers intended that Kevin Spacey should receive top billing at the start of the movie but he insisted that his name not appear in the opening credits, so as to surprise the audience with the identity of the killer. To compensate, he is listed twice in the closing credits: once before the credits start rolling, and once in the rolling credits in order of appearance. Another advantage from Spacey’s point of view, as he saw it, was that he was excluded from the film’s marketing during its release, meaning he didn’t have to make any public appearances or do any interviews.
  • When Somerset is in his apartment, he can be heard listening to a radio broadcast of John F. McClellan. McLellan was a Boston disc jockey (among other things) who did live Tuesday night broadcasts from the Boston club Storyville, on WHDH radio in the early 1950s. In the clip in the movie, you can hear McLellan’s voice announcing some of the members of the band at Storyville that night, including Charlie Parker with Herb Pomeroy on trumpet.
  • All of John Doe’s books were real books, written for the film. They took two months to complete and cost $15,000. According to Somerset, two months is also the time it would take the police to read all the books.
  • R.E.M’s Michael Stipe was once considered for the role of John Doe.
  • As preparation for his traumatic scene in the interrogation room, Leland Orser would breathe in and out very rapidly so that his body would be overly saturated with oxygen, giving him the ability to hyperventilate. He also did not sleep for a few days to achieve his character’s disoriented look.
  • The film was the subject of a lawsuit brought by a photographer whose work was used in the background of John Doe’s apartment. The case was decided in the filmmakers’ favor. Sandoval v. New Line Cinema Corp., 973 F.Supp. 409, 412-414 (S.D.N.Y 1997).
  • Morgan Freeman’s son, Alfonso Freeman, played the part of a fingerprint technician.
  • Denzel Washington turned down the part that went to Brad Pitt, telling Entertainment Weekly that the film was too “dark and evil.”
  • When looking for the part of Victor, David Fincher stated that he wanted to find someone who was incredibly skinny, around 90 lbs. Michael Reid MacKay auditioned, and at the time weighed 96 lbs. Fincher gave him the part and jokingly told him to lose some more weight. Much to his surprise, MacKay turned up to filming having lost another 6 lbs.
  • The song “6ix” from the Evan Dando album “Car, Button, Cloth” gives away the ending of the film.
  • This was voted the eighth scariest film of all time by Entertainment Weekly.
  • The word “fuck” and its derivatives are said a discernible 74 times throughout the movie, mostly by Brad Pitt.
  • According to earlier versions of the script, the unspoken name of the police captain is Captain Lucas.
  • David Cronenberg was offered a chance to direct this but he turned it down.
  • The box full of photographs at the “Sloth” scene has written on the side “To the World, from Me.”
  • Before Kevin Spacey was set to shoot his first scene, he asked director David Fincher if he should shave his head for the role. David Fincher replied “If you do it, I’ll do it.” Both Fincher and Spacey were bald for the remainder of the movie production.
  • This was regarded as the first “A” production for New Line Cinema, proving that they could attract “A-list” directors and cast.
  • Brad Pitt earned $7 million for this film.
  • Andrew Kevin Walker had enormous difficulty getting a studio to buy the rights to his script because he was a complete unknown in Hollywood. Allegedly he put together a list of agents that represented writers that work in the crime and thriller genres, and just called each one up until he got a positive response.
  • The closing credits for this movie scroll from the top of the screen to the bottom, instead of from the bottom to the top like in most other movies.
  • Gwyneth Paltrow was David Fincher’s first choice for the part of Brad Pitt’s wife, having impressed him with her work in Flesh and Bone (1993). Paltrow was initially not interested so Fincher had to ask her then boyfriend – Brad Pitt – to get her to come in and meet with him.
  • Kevin Spacey was cast two days before filming began.
  • At exactly 7 minutes into the film Mills picks up the phone to be called over to the Gluttony scene.
  • An interesting coincidence is that Se7en portrays religion in a pejorative light, and in private life, Brad Pitt openly admits his disdain for religion of any kind.
  • Andrew Kevin Walker The writer of the film appears as the first corpse.
  • The victim tied to the bed for a year was not an animatronic model, but a very skinny actor made up to look even more corpse-like. Rob Bottin used a set of exaggerated teeth to make the head look smaller and more shrunken from malnutrition.
  • R. Lee Ermey originally auditioned for the part of John Doe. After the part was given to Kevin Spacey, Ermey was offered, and took, the part of the police captain.
  • The prison jumpsuit John Doe wears at the end of the film has the words “Bardach County Jail” written on it. Elinor Bardach was the costume supervisor for this movie.
  • One version of the script contained a few scenes following the final confrontation between the detectives and John Doe. In one, Somerset is recovering in the hospital after being shot by Mills, and the captain delivers a letter to him from Mills which reads, “You were right. You were right about everything.”
  • In one scene, Mills belittles Doe as a “Movie of the Week”. When this film was shown on network television, the line was changed to “Book of the Month”. (The line has since been restored in subsequent showings on Cable television.)
  • Even though he’s probably one of the most horrifying and sadistic killers in cinematic history, John Doe isn’t seen killing anyone on screen.
  • To appease the producers, who wanted to soften the dramatic ending a bit, an alternate version of the ending was storyboarded, with Somerset saying that he “wants out”, and killing John Doe, thereby preventing Doe from winning, and Mills from ending up in jail. In the mean time, the crew shot a test ending, which is basically the theatrical ending without some of the dramatic shots. This finale was so well received in screenings that it convinced the producers to go along with it, and not even film the alternate ending.
  • The ending in the movie is the ending in the original draft of the screenplay. Producer Arnold Kopelson had it rewritten and the ending became a race to save Tracey’s life. When David Fincher, Brad Pitt and Morgan Freeman read the new ending, they all demanded the that original ending be put back in or they wouldn’t do the movie. (From the Platinum Series DVD).
  • One of the re-written endings of the film involved Somerset discovering that John Doe was raised by an abusive priest in a church orphanage. Doe kidnaps Mills and lures Somerset to a decrepit church decorated with artwork depicting the Seven Deadly Sins, intent on making Somerset murder him out of vengeance. Instead, Doe and Somerset engage in a shootout, and Somerset lawfully kills Doe to protect Mills’ life.
  • It is raining every day in the movie except for the last day. The reason is less about thematic issues and more about continuity. It rained on the first day that Brad Pitt filmed so they kept it going as they were rushing to do all of Pitt’s scenes before he left to go make Twelve Monkeys (1995).
  • Kevin Spacey as the antagonist, John Doe, made his first appearance in the film, as the photographer taking pictures of Brad Pitt and Morgan Freeman at the sloth crime scene. If you pause the film at 54:45, when Pitt’s character was slapping the camera out of the photographer’s hand, you can clearly see that, it is Kevin Spacey.
  • John Doe only kills one of the “sinners” himself, and even that one is by accident (kicking Gluttony to wake him up, which makes his stomach burst). All of his other victims either kill themselves (Greed & Pride) or are killed by other people (Lust & Envy) or survive (Sloth & Wrath). The only murder John Doe actually commits intentionally by his own hand is Tracy Mills.
  • The ending narration of Somerset quoting Hemingway was an added compromise that neither David Fincher or Morgan Freeman particularly cared for. The decision came from New Line after poor test screenings regarding the dark ending.

Talking Points:

  • If you saw this movie in the theater, what made you go? Trailer? or word of mouth?
  • The end!

What We’ve Learned:

  • When you want somebody dead, you drive by and shoot them.
  • No matter how emotional you get, you need to keep focused on the details.
  • Just because you have a library card, doesn’t make you yoda
  • Apathy is not a virtue only a solution
  • Love cost’s, takes work and effort.
  • ‘The world is a fine place and worth fighting for.’ I agree with the second part.

Trailer:

Recommendations:
Jeff: Classic thriller, I’m glad I have this in my DVD collection.
Ray: Awesome film, awesome ending.. if you haven’t seen this you should be ashamed of yourself
Steve: Amazing film…I’m glad I took the time to watch it again. Was just as into it as I was the first time.

The Present: Transformers: Dark of the Moon (2011)

Rotten Tomatoes: 37% Rotten; 90% Audience

Director: Michael Bay
Starring: Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel, John Turturro, Tyrese Gibson, Buzz Aldrin, Frances McDormand, Peter Cullen, Hugo Weaving, Leonard Nimoy

Trivia:

  • Tony Todd, who voiced the title character of The Fallen in Transformers: Revenge of the Fallen (2009), was going to play a human character in this film, but his role got written out of the script.
  • Roberto Orci and Alex Kurtzman, who worked on the screenplay for the previous two films, declined to work on this film due to schedules with other films and because they “risked getting stale.”
  • When Megan Fox dropped out shortly before filming began, Gemma Arterton, Ashley Greene, Brooklyn Decker, Miranda Kerr, Bar Refaeli, Amber Heard, Camilla Belle, Katie Cassidy, Heidi Montag and Anna Kendrick were all rumored to replace her before Rosie Huntington-Whiteley was cast.
  • This is director Michael Bay’s first threequel (third instalment in a series/trilogy).
  • The Autobots have upgraded their alternate modes: – Bumblebee has received an upgrade and is now a 2011 Chevrolet Camaro – Ratchet’s color scheme now includes white and his green is more grass-green than his previous neon/yellow green – Sideswipe is now a Chevrolet Centennial Corvette convertible
  • In view of the technology’s rising popularity, Paramount/Dreamworks were adamant to have this film either shot for 3-D or converted in post-production. Director Michael Bay was initially wary of the technology, calling it a “gimmick” in various interviews and noting the poor quality of post-production conversion. Vince Pace, the co-found of PACE 3D who developed 2D and 3D cameras with James Cameron reported in July 2010 that he was working on Transformers 3 and that it will be shot in on PACE 3D cameras. However, for scenes that required higher image quality or were in slow motion, traditional anamorphic 35mm film was used and converted into 3D in post production.
  • Optimus Prime’s trailer bears a resemblance to the original one from “Transformers” (1984) with the decorative stripe running along its side.
  • Rosie Huntington-Whiteley is playing Carly, a primary character that was introduced in the second season of “Transformers” (1984).
  • During filming in Washington, DC, the 2011 Chevrolet Camaro that plays Bumblebee was struck by an metro police K-9 SUV responding to a bomb alert. The police officer involved sustained minor injuries, and Bumblebee sustained considerable damage. Filming was able to continue, as there were copies of each automobile for shooting purposes.
  • A tilting office set was constructed to simulate a Decepticon attack.
  • The Wreckers take the alternate modes of NASCAR Chevrolet Impala automobiles, resembling those of Juan Pablo Montoya (#42 Target), Dale Earnhardt, Jr. (#88 AMP Energy/National Guard) and Jimmie Johnson (#48 Lowe’s/Kobalt)
  • The “dark of the moon” is defined as a phase (approximately three days) when the light of the moon is obscured, and thus absent (i.e. a no-moon time), and precedes the new moon and the beginning of a new lunar cycle. Symbolically, it represents a time of inner stillness and contemplation, and preparedness for a new beginning.
  • The Autobot Wheeljack’s alternate mode in “Transformers” (1984) was a Lancia Stratos sportscar, but this was revised to a Mercedes-Benz E550 automobile. His head is also luminescent, in homage to his appearance in the series where two bulb-like appendages on his face regularly lit up.
  • The idea of Apollo 11 being connected to the discovery of the Transformers had been previously put forth in the Transformers (2007) tie-in prequel novel ‘Ghosts of Yesterday’.
  • Production stalled in Chicago as Gabriella Cedillo, an extra was seriously injured driving her own car as background for a stunt shot. The stunt was taking place in the opposite lane and a metal object – rigging from a snapped cable – went flying through her windshield and struck her in the skull. Cedillo suffered permanent brain damage, included left side paralysis and limited vision in her left eye. Paramount Studios provided an undisclosed amount of money to cover the cost of her medical care.
  • US$1 million was spent during the two days of filming at the Milwaukee Art Museum.
  • Corey Burton, who voiced Shockwave in “Transformers” (1984) and “Transformers: Animated” (2007), was approached to reprise Shockwave for the film, but turned it down as he’d done that role too many times. He had earlier been approached to voice Jazz and Brawl for the first film.
  • Megatron’s alternate mode in this film is a Mack Titan tanker truck, his first Earth disguise. This was chosen to put him on parallel with Optimus Prime (the filmmakers described him as “a demented version of Prime”). This mode also pays homage to the “Transformers: Robots in Disguise” (2001) Decepticon Scourge (also known in Japan as “Black Convoy”), who is an evil clone of Optimus Prime.
  • Michael Bay described the tone of the film as “a homeland version of Black Hawk Down (2001) with giant alien robots.”
  • Sentinel Prime is primarily based on his role in the “Transformers” comics (Optimus Prime’s yellow-colored predecessor) and his lance and shield were taken from his “Transformers: Animated” (2007) incarnation, but his later form on Earth – a red Rosenbauer Panther fire truck – is a homage to “Transformers: Robots in Disguise” (2001)’s Optimus Prime, whose alternate mode was a fire truck.
  • Laserbeak’s alternate mode in “Transformers” (1984) was a tape cassette, but that was considered old-fashioned. He retains his robotic condor form throughout the film.
  • This is the first movie that starts with Megatron being conscious. In previous installments Megatron was awakened or resurrected.
  • The Autobot Steeljaw was originally a robotic lion and a minion of Blaster in “Transformers” (1984), but this was revised to a robotic hound and minion of Leadfoot.
  • To film the skydiving sequence, Michael Bay attached cameras to the divers’ helmets to capture their descent into Chicago.
  • The Autobot Mirage was originally a Formula-1 race car but this was altered to a Ferrari 458 italia
  • Scenes from Michael Bay’s The Island (2005) freeway way chase were recycled for the chase on the freeway between The Autobots and the Decepticon Dreads.
  • This is not Leonard Nimoy’s first appearance in a Transformers movie. He provided the voice of Galvatron (the upgraded Megatron) in the 1985 animated Transformers movie, which also had Peter Cullen as Optimus Prime; the two had no lines together in that movie, however, as Optimus was killed before Galvatron was created.
  • There are several homages to storylines from the original Transformers (1984) cartoon. Megatron removing Abraham Lincoln from the Lincoln Memorial and using the chair as a throne, the Decepticons creating a Space Bridge to pull Cybertron into orbit around Earth, as well as the Autobots being exiled and forced to leave Earth to the mercy of the Decepticons all happened in the cartoon series.
  • The character, Sentinel Prime, as voiced by Leonard Nimoy, uttered a familiar and famous phrase in the later half of the film … “The needs of the many outweigh the needs of the few,” which is a direct quote from his most memorable character, Spock, from the film ‘Star Trek II: The Wrath of Khan”
  • Megatron’s characterization in this film heavily reflects that of Galvatron, Megatron’s upgraded form, from the original series (“Transformers” (1984)). This being, after the destruction of Galvatron’s Master, Unicron, he becomes a little more than insane in the series, in the same way, the destruction of The Fallen from the previous film (Transformers: Revenge of the Fallen (2009)) has caused Megatron to go slightly insane.
  • The Gulfstream III private jet in which Sam and Mearing travel to Florida is owned by Michael Bay. Its tail number – 4500X – is the same as the helicopter Blackout used as a disguise in the first movie.
  • Early in the film a scene from the original Star Trek is shown along with the comment that “this is the episode where Spock goes insane”. This foreshadows Sentinal Prime’s insane plan later in the film as Leonard Nimoy played both Spock in Star Trek and the voice of Sentinal Prime.
  • A Decepticon attack leaves Simmons in a wheelchair. This is a homage to Chip Chase, a wheelchair-bound human from “Transformers” (1984) who was an ally of the Autobots.
  • Michael Bay compared Megatron to Colonel Kurtz in Apocalypse Now (1979): “He’s hiding in the jungles of Africa, nursing his wounds and vainly hiding his pulverized visage while plotting – what else? – revenge!”
  • Peter Cullen’s favorite moment in the film is when Optimus Prime meets with astronaut Buzz Aldrin.
  • Michael Bay conceived the Driller’s destruction of the skyscraper while doing stomach-crunch exercises.
  • When the employee is pushing the buttons on the photo copier that later transforms into Laserbeak, the distinct tones of the copier form the title theme song of the animated Transformers TV series.
  • The _Star Trek (TV Series 1966-1969)_ episode watched by Brains and Wheelie, where Spock “turns evil”, foreshadows the later betrayal by Sentinel Prime, who was voiced by Leonard Nimoy.

Talking Points:

  • How was the 3D
  • Anyone catch the nod to Star Trek 2?
  • Rosie’s performance
  • Shockwave – worth the wait?
  • The two annoying bots…again.

What We Learned:

  • Mark Ryan is hot. Oh wait, that’s a reference to the previous two movies.
  • Michael Bay lied about not having annoying bots in this movie.
  • See, 3D can be good if you try.
  • Peter Cullen’s Voice is orgasmic.
  • The Warriors path is a solitary one
  • Russian is like all the buttons on a calculator you never push
  • The Needs of the many, outweigh the needs of the few……or the one

Trailer:

Recommendations:
Jeff: Eye and ear candy extravaganza! See it in 3D! Although 2D would be fine if you can’t see 3D anyway
Ray: This movie might be good if there were no people in it. I enjoyed watching Chicago burn.
Steve: I enjoyed it. The actors weren’t exactly great…but the action was! See it in 3D!

The Future: Straw Dogs

Director: Rod Lurie
Starring: James Marsden, Kate Bosworth, Alexander Skarsgård

Trivia:

  • It is a remake of Sam Peckinpah’s 1971 film of the same name, in turn based on the Gordon Williams novel The Siege of Trencher’s Farm.

Talking Points:

  • Anyone see the original? 1971 Dustin Hoffman
  • Falling down? History of Violence?

Summary:

L.A. screenwriter David Sumner relocates with his wife to her hometown in the deep South. There, while tensions build between them, a brewing conflict with locals becomes a threat to them both.

Trailer:

Excitement:
Jeff: Meh, looks alright. Could be interest . . .zzzzzzzzz
Ray: I never saw the Original..although I may see it now… not sure why this film had to be remade
Steve: I think this looks like it’s going to be a good one! Seems a little like “The Strangers”, but with more to it. I think I’m going to like it!

Coming Attractions

The Past
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The Present

The Future

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MOV002: “Sir, I’m Going To Have To Ask You To Exit The Doughnut.”

Our hosts discuss Rope, Iron Man 2, and the Super8 Trailer as well as news featuring Transformers 4, and Indiana Jones 4, and Jeff’s mind is blow by something people didn’t know about Back To The Future.

Hosts: Jeff, Ray, Steve

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News:

The Past: Rope

Director: Alfred Hitchcock

Staring: Jimmy Stewart, Jon Dall, Farley Granger.

Trivia:

  • Story was very loosely based on the real-life murder committed by University of Chicago students Nathan Leopold and Richard Loeb, which was also the (fictionalized) subject of Compulsion (1959) and Swoon (1992).
  • The film was shot in ten takes, ranging from four-and-a-half to just over ten minutes (the maximum amount of film that a camera magazine or projector reel could hold) duration. At the end of the takes, the film alternates between having the camera zoom into a dark object, totally blacking out the lens/screen, and making a conventional cut. However, the second edit, ostensibly one of the conventional ones, was clearly staged and shot to block the camera, but the all-black frames were left out of the final print. Most of the props, and even some of the apartment set’s walls, were on casters and the crew had to wheel them out of the way and back into position as the camera moved around the set.
  • Since the filming times were so long, everybody on the set tried their best to avoid any mistakes. At one point in the movie, the camera dolly ran over and broke a cameraman’s foot, but to keep filming, he was gagged and dragged off. Another time, a woman puts her glass down but misses the table. A stagehand had to rush up and catch it before the glass hit the ground. Both parts are used in the final cut.
  • The Screenwriter never intended for the murder to be actually seen on screen, thus increasing the tension by making the audience themselves wonder if there indeed was a body in the chest. Hitchcock added the scene after the screenplay was written.

Talking Points: The gay couple in old films

What We’ve Learned: A Simple Rope is all you need to commit the perfect murder. After committing the perfect murder, never put the body in a chest in the room you’re having a dinner party in. Do not get enthusiastic about murder right after you have just committed one. Do not try disposing the murder weapon by using it to tie up books you’re giving to the victims father. Never invite the guy who inspired your murder to the party you’re giving right after the murder. You should probably kill your accomplice, who you may or may not have had a homosexual relationship with. And…”choking the chicken” jokes are not appropriate in mixed company.

Trailer:

The Present: Iron Man 2

Director: Jon Favreau

Staring: Robert Downey Jr., Gwyneth Paltrow, Scarlett Johansson, Don Cheadle, John Favreau as Happy

Trivia: Emily Blunt was set to star as Black Widow but had to pull out due scheduling conflicts with her movie Gulliver’s Travels (2010). Before Scarlett Johansson replaced Emily Blunt as Black Widow. Jessica Biel, Gemma Arterton, Natalie Portman, Jessica Alba and Angelina Jolie were considered

Talking Points: Robert Downey Jr. Looking very short

What We’ve Learned: Palatium is not a good material to use as the core of your miniaturized arch reactor that is keeping you alive. Whips powered by a miniature reactor core are awesome. Girls who can kick big guys asses are always cool! Mickey Rourke is damn scary. Never take your protective mask off while you’re in the middle of a fight. And . . . Giving an evil physicist hell bent on revenge complete access to your computers and advanced weaponry is never a good idea.

Trailer:

The Future: Super 8

Movie Trailer: JJ Abrams’ Super 8
JJ Abrams’ Secret Super 8 Movie Is Not A Cloverfield Sequel

Trailer:

Coming Attractions:

  • The Past: A Clockwork Orange
  • The Present: Prince of Persia: Sands of Time
  • The Future: The Expendables